Longlegs Is Unusual Yet Familiar Terror That Makes You Look Around

Longlegs still of Lee Harker, played by Maika Monroe, leaning against a wall.

With their brilliant performances and the oft-disconcerting settings and music, the cast amplifies the emotional unease, allowing Longlegs to cast a shadow of dread that clings to audiences, keeping them engaged and intrigued.

Longlegs is a dread that builds with occasional shocks and imagery, with Nicholas Cage’s (The Unbearable Weight of Massive TalentDream Scenario) titular character being the stuff of nightmares. His singing feels akin to Janis Joplin and sticks to the ribs. With him, Longlegs’ words and appearance send shivers up your spine. Maika Monroe (WatcherIt Follows) gives a brilliant turn as an awkward yet bright officer on Longlegs heels. With their brilliant performances and the oft-disconcerting settings and music, the cast amplifies the emotional unease, allowing Longlegs to cast a shadow of dread that clings to audiences, keeping them engaged and intrigued. 

Written and directed by Osgood Perkins, the movie follows quiet, unassuming FBI agent Lee Harker. After correctly identifying a criminal’s home, Lee undergoes several exams to test her psychic abilities. Then she transfers to work with Agent Carter, played by Blair Underwood (OriginDeep Impact). Alongside him is Agent Browning, played by Michelle Choi-Lee (Joy RideYellowjackets). They try to find the connection between a collection of murdered families. Their investigation ties in with Harker’s past as both come together.

Longlegs Core Cast Performances Heighten Discomfort

Longlegs still of Agent Carter, played by Blair Underwood, covering his nose with a cloth.
Longlegs still of Blair Underwood as Agent Carter. Courtesy of NEON.

While inarguably, Nicholas Cage needed more screen time, he made the most of what he had. His character has a disconcerting zeal, mixing dread and nervous laughter in audiences. His singing is spirited, with a shrieky pitch. While his character is over-the-top creepy, Maika Monroe’s acting is the opposite. She counters him with a subdued, often pained performance. It’s as though she’s uncomfortable with speaking or looking at people around her. Blair Underwood is the talker in their team and pushes Maika’s character to engage with others more. 

Additional cast stands out too. Carmel Amit (Ghost WarsSomewhere Between), who plays Agent Carter’s wife, Anna, delivers the mom aspect and the eerie turn later. Kiernan Shipka (TwistersChilling Adventures of Sabrina) plays Carrie Annie, a girl who’s met Longlegs, who is residing in a mental hospital. Alicia Witt (DuneUrban Legend), who plays the role of Lee Harker’s mom, is downright uncomfortable to watch, exuding the “piercing gaze” effect. 

Every Scene Is Unusual In Its Stillness

Longlegs still of Lee Harker, played by Maika Monroe, looking at a wall with information posted on it.
Longlegs still of Maika Monroe as Lee Harker. Courtesy of NEON.

Longlegs shines in eerily quiet moments. The silence continues for so long in some scenes that it’s a challenge not to speak to ease the tension. Mixed with those moments are occasional violent scenes. They are all the more shocking because of that stillness. Aspects of the movie feel like other popular classic films like Silence of the Lambs. The mundane moments have horror that lies in wait. But there are scenes of smiles, adding a squeamish discomfort that builds the emotional thread of dread. 

Longlegs is an incredible horror entry that mixes the supernatural with grounded horror, which adds an authentic element. While more of Nicholas Cage and his disconcerting talking and songs is preferable, the movie stands solidly without that. Some decisions and inaction make it easy for audiences to scream at the screen. However, that is part of the appeal. Music amplifies that ever-present discomfort and I’ll never hear The Price Is Right theme again without a shiver. With a dynamic cast and unnatural stillness, Longlegs builds a heightened sense of horror and brutality that feels unrelenting, keeping senses dialed up. 

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