Top Gun: Maverick Review
Overall, Top Gun: Maverick gives audiences more of what they loved in the first film without following its predecessor step by step. It carves out a path all…
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Film
They Talk Review
They Talk tries its damndest, but chilling moments are not enough to save this snoozefest that needed a tighter script and compelling dialogue.
Jethica [SXSW ’22] Review
SXSW Jethica is a dark and comedic film that takes stalking to another level. Using the landscape and actors, Pete Ohs joins the supernatural and real.
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X Review
Ty West directs a horror that moves beyond simple slaughter. He expands into a broader discussion of religion, sexuality, and gender, thereby making X a…
Sell/Buy/Date [SXSW ’22] Review
Sell/Buy/Date, a docudrama mixed in comedy, premiered at SXSW Festival. It stars Sarah Jones, with a story by her and David Goldblum that looks at the sex…
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Asking For It Review
Tonally confusing with disconcerting edits, bland dialogue, and low stakes, there is not much here to appreciate. A further issue with Asking For It is the…
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The Batman Review
For my part, The Batman falls in the middle; some parts work, and others do not. It’s not the worst, and I would consider it better than a few of its…
In Search Of Tomorrow Review
In Search of Tomorrow discusses each year of the 80s and picks apart the film’s quality, vision, technology, practical and special effects, and moments that…
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Aftershock [Sundance ’22 Review]
Heartbreaking does not begin to describe Aftershock; a film that tells a story we may hear through statistics or the occasional news piece if at all. Streaming details by JustWatch Aftershock, directed by Paula Eiselt and Tonya Lewis Lee, personalizes the Black maternal mortality and morbidity epidemic in the United States in this documentary. Through
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Emergency [Sundance ’22 Review]
Emergency starts as a comedy but spirals into a dramatic film that leaves you filled with dread as it progresses. Directed by Carey Williams and written by…
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