The Liminal Zone Review (Manga)
Traversing transition from one state to another, The Liminal Zone lives up to its title with a dreadful cohesion by a master of horror. Junji Ito can squeeze…
The Liminal Zone Review (Manga) Read More »
Traversing transition from one state to another, The Liminal Zone lives up to its title with a dreadful cohesion by a master of horror. Junji Ito can squeeze…
The Liminal Zone Review (Manga) Read More »
They Talk tries its damndest, but chilling moments are not enough to save this snoozefest that needed a tighter script and compelling dialogue.
Ty West directs a horror that moves beyond simple slaughter. He expands into a broader discussion of religion, sexuality, and gender, thereby making X a…
Parts of the film may be so bad it is good as there is a lot that inspires laughter because the effects are lackluster, the acting hit-and-miss with weak dialogue, landing this as a solid B horror film.
The Legend of La Llorona Review Read More »
Mieruko-chan Volume 3 gives us horror, comedy, and friendship. We get some resolution, but they still allow some larger mysteries to linger.
Mieruko-chan Volume 3 Review Read More »
Films are usually flawed. The key is to entertain enough, so those flaws are not as noticeable. Night Teeth, written by Brent Dillon and directed by Adam Randall, delivers. They create an underworld, albeit thinly, where vampires and humans have a truce. Not everyone knows this world exists, like Benny (Jorge Lendeborg Jr.). So when
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Midnight Mass is the latest creation from Mike Flanagan, the talented director/creator who brought us The Haunting of Hill House, Doctor Sleep, and Absentia. Flanagan’s attention to detail makes Midnight Mass an engrossing series that benefits from repeated viewings. His works creep up on you over time; moving from good to spectacular. Midnight Mass is
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Candyman, written by Nia DaCosta, Jordan Peele, Win Rosenfeld, and directed by Nia DaCosta, takes us back to a now gentrified Cabrini-Green. The previous Candyman from 1992 dealt with issues of race and poverty through the white lens of visitor Helen Lyle; this new one focuses on racism and white violence through a Black people
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Don’t Say Its Name shows us horror through the tales and culture of the Indigenous community. It’s a unique horror lens, and the story, execution feel like…
Don’t Say Its Name: Horror In A World Rarely Seen—Fantasia Review Read More »
I Am Lisa is small-town lycanthropy horror sizzling in the middle of a revenge film. The film, written by Eric Winkler and directed by Patrick Rea, has some of the standard elements often seen in both werewolf and revenge films. Town sheriff that lets their family-run amok terrorizing the town? Check. However, the unique quality
I Am Lisa: Cheer For The Underdog—Wolf Read More »